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"Kingdom exemplifies the power of the arts to inspire a deeper understanding of the forces that have driven so many young people to join gangs, use drugs and engage in senseless violence against one another." -Victoria L. Hamilton, Executive Director, Commission for Arts and Culture, City of San Diego

About Aaron
Aaron and composer Byron Au Yong are the 2009-2010 Artists-in-Residence at NYU’s Asian / Pacific / American Institute, and are recipients of a 2009 Creative Capital grant to develop their solo opera Stuck Elevator. Aaron’s hip hop play Shakespeare: The Remix (music by Gihieh Lee) was commissioned by TheatreWorks (Palo Alto) and performed by TheatreWorks, St. Louis Black Rep, Capital Rep, Zachary Scott Theatre, and Collective Consciousness. His hip hop play No Lie has been seen at the Nuyorican Poets Café, H.E.R.E., Passage Theatre, the International Festival of Arts & Ideas, and at high schools and colleges across the country. Aaron and Ian Williams’ new hip hop musical Blood Magic received a 2009 grant from the National Alliance for Musical Theatre for development by The Old Globe.
In 2007, Aaron was named one of “50 To Watch” by The Dramatist. He has received artist residencies from the MacDowell Colony, TheatreWorks, Weston Playhouse, and the Oregon Shakespeare Festival. He has written poetry for the Urban Bush Women dance troupe and for The Nation and Northeast magazines.
He received his BA in Arts & Social Change from the University of California at Berkeley, studied at the Universidad Nacional Autónoma de México, and received his MFA in Musical Theatre Writing from NYU, where he was an Alberto Vilar Global Fellow in the Performing Arts. For the last decade he has taught playwriting, poetry, and hip hop theatre in urban high schools, middle schools, and detention centers.
Also check out Aaron’s CV and mission statement.